It’s gorgeous and idyllic, distilling a scene of quintessential Americana into its most poetic form. The sublime, dreamy float of the title track is similarly nostalgic, calling back to a time where “ there’s nothing wrong, contemplating God / Under the chemtrails over the country club”. Perhaps it’s a case of the grass always being greener – pre-fame Lana surely wouldn’t have imagined achieving all she has and wanting to be back bussing tables – but she closes the song rationalising her desire to go back: “ Because it made me fee… like a god/ It kind of makes me feel like maybe I was better off.”
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“ I felt free because I was only 19,” she sings of days and nights spent waitressing and listening to jazz, Kings Of Leon and “ White Stripes when they were white hot”. On opening track ‘White Dress’, she explores her longing for a time when she was yet to find success she delivers it in a rasped whisper so urgent it sounds like she’s trying to transport herself back there. Compared to other acts of her stature, paparazzi shots and tabloid headlines sensationalising her life are few and, as she told NME in 2019, she leads a life as regular as yours or mine, hosting game nights with her girlfriends and hanging out with her siblings.įame and Del Rey’s disregard for it is a recurring theme on her seventh album ‘Chemtrails Over The Country Club’. Throughout a decade as one of music’s top artists, Del Rey has kept a relatively low profile. Lana Del Rey had arrived, and she’s barely stopped spearheading the conversation since. The track immediately captured people’s imaginations, with its vintage Hollywood sheen, poetic lyrics and its creator’s elegantly downcast drawl. Almost 10 years ago, a beautiful song called ‘Video Games’ emerged online, introducing a mysterious new artist to the wider world.
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